So, 2013. Time to look back on it. And for the purposes of blogging, time to reflect on what was good or great about last year, and express positive hopes about the year just begun. Very important not to dwell on the bad stuff, as that would be Unprofessional and No Fun To Read, and just plain WRONG. It might get Too Personal, and nobody really wants that.
Except, I always try to tell the truth on this blog. Or at least, I always want to. I've whitewashed events or glossed over hurts for fear that it would Reveal Too Much, and Drive Readers Away. This blog's main goal is to attract new readers to my work, and to entertain and involve current readers in what I'm up to. It should not be about my personal life, unless it is to mark a positive occasion, or has something to do with my cats.
Everyone loves cat pictures.
But, regardless of what I Should or Should Not say in this blog, I'm going to discuss 2013 for what it was. I suffer from Depression, so even the negative events are positives when you consider that I got through them.
So, what was 2013 for me?
It was the year I landed a decent temp assignment, one that kept the bills paid from January through to June. For the first half of the year, Violet and I had financial stability. The company I worked for liked me so much that they kept me on when one contract ended, then extended my contract two more times. I was well liked by the people I worked with... except for just one person.
It was the year I failed, yet again, to deal with a workplace bully. I stood up to that bully, which for me is huge, but that didn't make things any better. I consider this a personal failure because I wasn't able to brush off this bully's behaviour as the antics of an insecure person. I couldn't just "not be bothered" by this person. I took it personally, I felt weak, and I couldn't rise above it. I still can't.
It was the year I finally qualified for Employment Insurance! That helped tremendously, because I couldn't find any more work until just recently. Job searching continues to be a hard and painful struggle for me. EI allowed us to survive the lean summer and fall months while we dished out resume after resume into the void.
It was the year Violet graduated from George Brown College with a diploma in Graphic Design! Very, very proud of her. This is a huge step forward for her career. My parents came up from Ottawa to be there for the graduation ceremony, and took us out to dinner afterward. Splendid days!
I finished the first draft of a new novel that I feel extremely positive about. I call it I'm So Goddamn Sick of Vampires. I still have to edit it quite a bit, but it is a good story and breaks new ground for me as an author. I also wrote a couple of new short stories, continued working on a Cupid War spinoff I'd started but abandoned in 2011, began a new Doctor Who fanfiction story, and wrote the first 3rd of a new YA Horror Comedy as well.
One of those new short stories had been written specifically for an anthology, following encouragement that I interpreted as a request from the anthology's editors. They turned it down. Second time that’s happened to me. Third, actually, if you count the time a magazine asked me to rewrite a story from a different character’s point of view and then turned that version down, too. That was a kick in the balls. Nevertheless I'm proud of that story, and Violet said it was one of my best.
I wrote numerous articles for Toronto.com. It was a great experience, and gave me a new perspective on professional article writing. For one article, I interviewed two of my co-workers for information on wedding venues. It was a fun experience that I enjoyed tremendously, and the pay was decent, too!
Then, the former editor returned and made some policy changes. One such change was to reduce the fee for articles by half. I decided my writing is still worth the same as before, so I haven't accepted any new assignments from them. A shame. It was great while it lasted.
Doctor Who celebrated its 50th Anniversary! As a big fan of the show, this was a big deal for me. The anniversary special, The Day of The Doctor, did not disappoint, and it was fun having it to look forward to all year.
I attended four conventions this year: Ad Astra, GenreCon, SFContario and Reversed Polarity. GenreCon was especially important for me, for two reasons. One, it wasn't in Toronto; the decision to do a con in Guelph was a big one for me. Two, I was asked by the organizers to come and be a part of the programming. What an honour! That meant so much to me.
I haven't written about my experiences at SFContario this year, or the panel I did at Reversed Polarity. Both were fun experiences, and both presented new challenges. I didn't write posts about those cons, or any posts since November, for reasons I will make clear momentarily.
It was the year I released a new novel, The Five Demons You Meet In Hell! I self-published the book through Smashwords, and it is my second attempt to break into the ebook market (Closets was the first). A good friend of mine, Sarah Water Raven, did a spectacular cover for me, and made me flyers that I handed out at my last three conventions. It was great to get back into the game once more, and with all the promotion I was giving it through my social media sites, I was certain it would be a success!
It wasn't. Or, to be slightly less negative, it hasn't been a success yet. From the day I released it, November 13, until today, I have sold exactly nine copies.
Nine.
9.
I haven’t even been able to break into double digits.
What, I’ve been asking myself, have I been doing wrong? Promoted it at conventions with flyers? Check. Even did a reading from it at GenreCon. Promoted it on the blog? Check. On Facebook? Checkity-check. Fan page and everything. Twitter, too. I have over 1,000 followers on Twitter, and nearly 1,500 Facebook Friends. That’s a lot, isn’t it? And I did special deals, like dropping the price to 99 cents on Black Friday. I figured I’d have sold at least 100 copies by now.
But I haven’t. I’ve sold nine.
NINE.
What. The. Fuck?
I did not take this disappointment well. I went into a serious funk, what many would call ‘Feeling Sorry For Myself’ but a select few would acknowledge as ‘A Depressed Person Dealing With Bad News’. I stopped blogging, withdrew even further from social activities, didn’t even bother to plan my birthday party until the last minute. And on a few dark days, I thought of suicide once more. Not terribly seriously, and never with intent, but always with a strong desire to just Stop. It seemed as if all my efforts, all my hard work, simply hadn’t paid off, and the future did not look bright at all.
I got through it. I always do, with friends and family helping me. I’m feeling better about things, and putting the poor sales of 5 Demons into a different perspective. It’s not the final crashing and burning of my writing career; rather, it is just another learning experience along the way. The book hasn’t had any reviews yet; my next goal is to get some. And, of course, to keep producing output.
So, 2014. Resolutions? Nah. Not unless I can think of some funny ones. What I will do is keep writing, keep going, keep believing in a future where that payoff comes.
And right now, I do believe.
Today is a good day.
Showing posts with label rant. Show all posts
Showing posts with label rant. Show all posts
Wednesday, January 1, 2014
Saturday, September 14, 2013
Rejecting Rejection
No writer likes this topic. If you’re a first time author, seasoned pro or bitter veteran, rejection is a term and a concept you know well. If you send your work out, nine times out of ten it’s coming right back.
Rejection should not be taken personally. It’s not you they are rejecting, authors are told, just the work. This is true, and I’ve never had a problem making that distinction. What we create is art, but when it goes out the door it becomes product. That can be a bitter pill to swallow.
Rejection letters themselves don’t make things any easier. If your work is being turned down, it is only natural to wonder why. Most rejection letters won’t contain that kind of information – you’ll get a form letter telling you your work wasn’t accepted with some vague and impersonal turn of phrase. And usually after a wait of several months, or even years (two years is the longest I’ve had to wait). Nothing says ‘you are nobody’ like a letter that arrives after nearly a year, saying “unfortunately your work does not meet our needs at this time.”
“Editors are very hard-working, busy people,” I have been told. “They have so many stories/books/stuff to go through. You can’t expect them to give feedback on every piece of writing they receive!” I’ll go that one better – I had a writing teacher tell me that the publishers I sent material to “don’t owe you a response.” They didn’t ask for my story, so why should they bother with a detailed rejection letter? If they’ve sent any kind of correspondence at all (in a self-addressed stamped envelope that I provided and paid for), then it is a courtesy and I should be grateful. They are doing me a favour!
First of all, bullshit. If nobody sent stuff to publishers, they would have nothing to make money from. Yes, they will keep asking for material from Name Authors, but there are only so many Names to go around. Publishers will always need new talent, and your book might be their next meal ticket. If they receive a work that could potentially earn them money, then they owe that writer a response. It’s just good business.
Second of all, publishers and editors have been allowed to set all the rules. Many of them don’t want writers to submit the same material to multiple publishers at the same time (simultaneous submissions). With publishers like these, you send them your work and must then wait for a response before sending it elsewhere! If they don’t send a response, you have no way of knowing if they are interested or not, and your work is stuck in limbo. If you are going to insist on exclusivity to any manuscript that comes in, and then take several months to read it, you owe that writer a response.
Third of all, just because it’s bullshit doesn’t mean it isn’t the way things are. Publishers have the money and the means to publish, and that makes them the dungeon masters. If they set up a business model that is good for them and bad for writers, then too bad. Suck it up and accept it, they will say, or stay out of the game.
Rejection is a way of life for writers, and the sooner you come to terms with it, the better. It’s not personal, so don’t take it that way. But don’t get used to it, and don’t ever like it. Bug publishers. Write follow-up letters/emails. Call them, even if they specifically say not to. Maintain as much control as you can – tell publishers that if you haven’t heard from them within a reasonable timeframe, you will consider the material rejected and send it elsewhere. Keep a copy of that correspondence with the date on it so you can prove you sent it. It’s one thing for publishers to reject your story. They do not have the right to reject your dignity.
No writer likes dealing with rejection, but we all learn how to. It is a part of the business. And there’s the thing – it’s a business. That goes both ways, with each party respecting the other. One day, the tables may be turned. Keep that vision in sight, and persevere.
Rejection should not be taken personally. It’s not you they are rejecting, authors are told, just the work. This is true, and I’ve never had a problem making that distinction. What we create is art, but when it goes out the door it becomes product. That can be a bitter pill to swallow.
Rejection letters themselves don’t make things any easier. If your work is being turned down, it is only natural to wonder why. Most rejection letters won’t contain that kind of information – you’ll get a form letter telling you your work wasn’t accepted with some vague and impersonal turn of phrase. And usually after a wait of several months, or even years (two years is the longest I’ve had to wait). Nothing says ‘you are nobody’ like a letter that arrives after nearly a year, saying “unfortunately your work does not meet our needs at this time.”
“Editors are very hard-working, busy people,” I have been told. “They have so many stories/books/stuff to go through. You can’t expect them to give feedback on every piece of writing they receive!” I’ll go that one better – I had a writing teacher tell me that the publishers I sent material to “don’t owe you a response.” They didn’t ask for my story, so why should they bother with a detailed rejection letter? If they’ve sent any kind of correspondence at all (in a self-addressed stamped envelope that I provided and paid for), then it is a courtesy and I should be grateful. They are doing me a favour!
First of all, bullshit. If nobody sent stuff to publishers, they would have nothing to make money from. Yes, they will keep asking for material from Name Authors, but there are only so many Names to go around. Publishers will always need new talent, and your book might be their next meal ticket. If they receive a work that could potentially earn them money, then they owe that writer a response. It’s just good business.
Second of all, publishers and editors have been allowed to set all the rules. Many of them don’t want writers to submit the same material to multiple publishers at the same time (simultaneous submissions). With publishers like these, you send them your work and must then wait for a response before sending it elsewhere! If they don’t send a response, you have no way of knowing if they are interested or not, and your work is stuck in limbo. If you are going to insist on exclusivity to any manuscript that comes in, and then take several months to read it, you owe that writer a response.
Third of all, just because it’s bullshit doesn’t mean it isn’t the way things are. Publishers have the money and the means to publish, and that makes them the dungeon masters. If they set up a business model that is good for them and bad for writers, then too bad. Suck it up and accept it, they will say, or stay out of the game.
Rejection is a way of life for writers, and the sooner you come to terms with it, the better. It’s not personal, so don’t take it that way. But don’t get used to it, and don’t ever like it. Bug publishers. Write follow-up letters/emails. Call them, even if they specifically say not to. Maintain as much control as you can – tell publishers that if you haven’t heard from them within a reasonable timeframe, you will consider the material rejected and send it elsewhere. Keep a copy of that correspondence with the date on it so you can prove you sent it. It’s one thing for publishers to reject your story. They do not have the right to reject your dignity.
No writer likes dealing with rejection, but we all learn how to. It is a part of the business. And there’s the thing – it’s a business. That goes both ways, with each party respecting the other. One day, the tables may be turned. Keep that vision in sight, and persevere.
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Tuesday, September 10, 2013
The Job Search Article, And Why I Hate It
If there’s one thing I really can’t stand about unemployment, it’s the condescending holier-than-thou tone of job search articles. We've all read them, and can spot their well-worn formula. They start with some snooty line about how you're doing it all wrong. That's the premise of these things: "So, you thought what you're doing right now is enough to get you that job? Hah! Silly, stupid job seeker. Let me set you straight."
And that's only the beginning. Everything in your life right now, everything you are doing or have ever done, is bad for your job search. That picture of the melancholy feline you posted on Facebook last week? What's a prospective employer going to think when they see that? Or how about that tweet from two days ago - Im so hapi 2 b here pepl! Not only does this candidate waste online resources on non-fundamental core competencies, but he can't even spell!
Your resume, or resumes in general, are gifts from the employment article gods. No matter how well-written, well presented, well designed or professional-looking you think your resume is, it’s wrong. It’s stupid. You honestly thought you could catch an employer’s eye with that?
The thing is, both the writing and reading of a resume is entirely speculative – there are very few rights and wrongs. One employer might like a detailed account of your job history, while others will want a one-page bullet-pointed list. Some like left-justified text, and others feel that centered text is the way to go. Have an Objective line. Don’t waste an employer’s time with an Objective line! Keep the details of your work experience brief. How can an employer know what kind of work you did if you don’t explain it in detail? Keep every job you’ve ever had on your resume – your time at McDonald’s tells an employer you are dependable, trustworthy and a good team player. Why did you put your McDonald’s experience on your resume – are you stupid?
Any point of view on resumes can be made to seem valid, as long as you sound (or read) like you know what you’re talking about. That’s easy to fake – add a dash of arrogance to whatever you think you know, and you’re there.
And then there are articles that throw in something like this: just because there’s a recession on and the economy is bad, that’s no excuse to slack off in your job search. You just have to work harder, dig into the hidden job market to ferret out those unposted jobs. Hidden job market? Are they making this up? Unfortunately, no. Most jobs, as they’ll tell you, don’t get posted. It’s one of many reasons why job searching sucks. The article writers are right about this one, but they don’t need to be so smug about it. Yeah, maybe I am a lazy dope who hasn’t dug in and explored the options and opportunities hard enough. Or maybe there is a recession on, jobs are scarce, and I’m having fantastically bad luck!
I know, I know, making excuses won’t land me a job. And a prospective employer might read this and think, this person is leveraging his inadequacies onto a slippery slope to a non-proactive attitude! This incumbent needs to utilize his deliverables on a going-forward basis if he is desirous of achieving synergy with our company’s strategic vision. I just wish that the writers of employment articles would resist the urge to add insult to injury. We get enough of that as it is!
And that's only the beginning. Everything in your life right now, everything you are doing or have ever done, is bad for your job search. That picture of the melancholy feline you posted on Facebook last week? What's a prospective employer going to think when they see that? Or how about that tweet from two days ago - Im so hapi 2 b here pepl! Not only does this candidate waste online resources on non-fundamental core competencies, but he can't even spell!
Your resume, or resumes in general, are gifts from the employment article gods. No matter how well-written, well presented, well designed or professional-looking you think your resume is, it’s wrong. It’s stupid. You honestly thought you could catch an employer’s eye with that?
The thing is, both the writing and reading of a resume is entirely speculative – there are very few rights and wrongs. One employer might like a detailed account of your job history, while others will want a one-page bullet-pointed list. Some like left-justified text, and others feel that centered text is the way to go. Have an Objective line. Don’t waste an employer’s time with an Objective line! Keep the details of your work experience brief. How can an employer know what kind of work you did if you don’t explain it in detail? Keep every job you’ve ever had on your resume – your time at McDonald’s tells an employer you are dependable, trustworthy and a good team player. Why did you put your McDonald’s experience on your resume – are you stupid?
Any point of view on resumes can be made to seem valid, as long as you sound (or read) like you know what you’re talking about. That’s easy to fake – add a dash of arrogance to whatever you think you know, and you’re there.
And then there are articles that throw in something like this: just because there’s a recession on and the economy is bad, that’s no excuse to slack off in your job search. You just have to work harder, dig into the hidden job market to ferret out those unposted jobs. Hidden job market? Are they making this up? Unfortunately, no. Most jobs, as they’ll tell you, don’t get posted. It’s one of many reasons why job searching sucks. The article writers are right about this one, but they don’t need to be so smug about it. Yeah, maybe I am a lazy dope who hasn’t dug in and explored the options and opportunities hard enough. Or maybe there is a recession on, jobs are scarce, and I’m having fantastically bad luck!
I know, I know, making excuses won’t land me a job. And a prospective employer might read this and think, this person is leveraging his inadequacies onto a slippery slope to a non-proactive attitude! This incumbent needs to utilize his deliverables on a going-forward basis if he is desirous of achieving synergy with our company’s strategic vision. I just wish that the writers of employment articles would resist the urge to add insult to injury. We get enough of that as it is!
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