Author Events

I've had a couple of very successful author events recently. First off, I had the official launch for EVIL? at the Indigo Spirit in Royal Bank Plaza, here in downtown Toronto. I sold 16 copies of the new book, as well as three copies of EPOCH and a couple of Attack Of The Intergalactic Soul Hunters. Not a bad day's work!

A bunch of my friends came to wish me well, including my good friend Vijay, who took the photos I've posted here.

Sadly, no one from the media came. I was hoping for at least some interest from one of Toronto's newspapers, but there we are. Anyway, it's a small complaint. The event was a success, and much fun was had.

This is me with my friend Martha, who came to get EVIL? and wish me well.



The second event came a week later at the Ralph Thornton Centre, a community centre and library where my friend Lucille runs a writing group. We met while working for the same market research company, and she asked me if I would come for a special event. Absolutely, said I, and I'm glad I did. I read two chapters of EVIL? and answered questions from the audience, who were made up mostly of people from Lucille's writing group. Also in attendance were my wife Violet, my sister Claire, and a few friends who hadn't been able to make it to the launch the week before.

I'm happy to say that EVIL? is off to a great start. More events are coming; I'm doing a library appearance in the fall, and at least one more book signing in the lead-up to Christmas.

Can't wait!

Meeting Fans at Polaris 23

I've been bad at blogging lately. It's been three weeks since I attended Polaris 23, the sci/fi convention formerly known as Toronto Trek, and I'm finally getting around to writing about it now. I rented a table and promoted my books, and had an awesome three days.

It almost didn't happen. I was late signing up for panels, and I didn't book my table until the last minute. I really must stop procrastinating. I'll start tomorrow.

Many people helped me out. The programming team got me onto five panels, my parents sent me enough money to cover the cost of registration and table renting, and my wife Violet rented a car to get us to and from the event (she also sat at the table with me).

I met some old friends and made a bunch of new ones. I sold lots of books, and gave out hundreds of flyers for EVIL. I really felt like I was doing a good job, promotion-wise. More than that, it just felt good to be there. I was among my people, doing what I was meant to do.

When it ended, a profound sadness followed. It was a good sadness; it meant I'd really enjoyed the experience and was sad it was at an end.

I'm not sure when the next con will be - for me, that is. I'm considering Con-Cept in Montreal and even Astronomicon in Rochester, but it all depends on money and time. Of course, once EVIL? becomes a worldwide phenomenon, I'll be able to attend all the cons I like. I look forward to that.

EVIL? Back Cover Copy

The back cover copy (you know, the blurb on the back of the book) is in, and I thought I'd share it here. I didn't write it; that would be the work of Courtney Huber, the marketing copywriter for the book. I think it's perfect, and I'm lucky to have so many talented people working on my novel at FLUX. Enjoy!


And, yea verily, Stuart did commit the Sin of Onan in the shower. And this was witnessed by his own brother who did cry out unto their mother. And there was much wailing and gnashing of teeth. And the townspeople rose up against him and all Onaners, calling upon one another to tear the youthful sinners limb from unclean limb. And there was much pants wetting.

And lo, Stuart did join forces with the demon, Fon Pyre, and together they did set forth to discover the cause of the town’s trouble. And, hark! A pair of fallen angels would plant seeds of hatred unto the townspeople. And on the seventh day, Stuart did vow to rip the fallen angels a new one and layeth upon them an epic smacketh-down.

4-Star Review of EVIL

My friends at the Canadian Review of Materials (CM) just posted a review of EVIL?! You can check it out here.

Wow, a 4-star review! I am very happy.

From the review:
“Carter's novel is satirical, downright funny and also thought-provoking. Whether read as a somewhat titillating and action-filled fantasy or as a deeper treatise on the origins and meaning of evil, it will have appeal and huge entertainment value for many young adult readers and specifically younger teenage boys.”

Acknowledgments

Behold the very first Special Feature for my upcoming book, EVIL? Below you will see the text for the Dedication and Acknowledgments page that will appear at the front of the book. I present it here to invite discussion on who these people are that I have chosen to thank for helping to bring my new novel to bookstores. Feel free to leave a comment or question!



For Monica
You Know Why


First and foremost, I'd like to thank my own creative brilliance. Three cheers for me! I'm just super.

I would also like to thank my wife, Violet, for her support; Andrew Karre and Brian Farrey, for believing in this project; Sandy Sullivan, for her goddess-like editing; Robert Brown, for being an excellent agent; Lori MacDougall and Angela Jewell, for having me in to do signings every year; God/the universe/spaghetti monster/whatever, for filling my head with such weird ideas; and finally, I'd like to thank my right hand for... you know.

EVIL? Editing

Last week I did the final round of editing on EVIL?, and it was a lot less painful than I'd feared. I hadn't heard from FLUX since I sent the rewritten version to them in August, and I wanted to know how the new ending had worked out.

Naturally, my fears were completely unfounded - they were very happy with the book, and the editor assigned to it thought the ending was terrific! She pointed out a few things that needed changing and/or fixing, areas where I'd goofed and said something that was proved untrue earlier (or later) in the story. I try to keep all the details in my head when I'm writing, or at least try to fix all that stuff before the publisher sees it, but I'm only human and I goof up like everyone else. That's why it's great to have a skilled editor there to catch those gaffes and make me look good.

My editor's name is Sandy Sullivan, and she is to be praised. My novel is in good hands thanks to her.

POV & Me

As I said in my last post, I started writing EVIL? (formerly called The Right Hand Of Evil) in a third person limited omniscient point of view. It is my favourite, after all. However, I realized by the third chapter that first person was the way I had to go. Yes, I had to. My stories can be very demanding sometimes.

And, they're always right. When I finished the first draft of that book, I couldn't imagine having written it any other way.

My current project is called Kids Who Know. For this one, I knew that first person wouldn't work. I also knew third person limited omniscient wouldn't be enough - at least, not the way I'd been doing it. KWK has not one but two focus characters, something I have not done for the last six novel projects. I thought I might just do it for the prologue, then have the rest of the book focus on my main character. Fairly early in, however, I realized it wouldn't be that way. KWK needs a second focus character, my story told me, and as always it was right on the money.

The reason I've been avoiding more than one focus characters is partly because a writing teacher of mine once told me not to. Stick with my main character, she said, or you risk losing focus. And it's cheating. Or something like it. I didn't completely agree with her, but part of her lesson stuck. I am a lot more aware of focus and POV thanks to her, and when it came to the project she was helping me with (a middle-grade book called Trevor Niles: Goblin Kicker) she was right. Her guidance is also clearly evident in EPOCH.

With Kids Who Know, however, I threw that lesson out the window. My story wants two focus characters, and it'll get two focus characters.

Of course, what I'm telling you here is nothing new to most writers. Many of the novels I've read have multiple focus characters, and it works beautifully. My favourite example is Stephen King's IT, where he has a group of seven kids (and their adult counterparts) who each need their own focus scenes, along with a host of minor characters. It works, because that was the way that story needed to be told.

So it is with my stories. I'm aware of the rules of point of view, but I do what my story tells me. In the end, the story is always the boss.